Jeanne Claire van Ryzin,
Austin American-Statesman:
With 2006 marking the 100th anniversary of [Dmitri Shostakovich's] birth, Austin arts organizations have put together the first citywide, yearlong festival celebrating the work of a single artist...
Credit Richard Buckley, Austin Lyric Opera's artistic director, for planting the Shostakovich seed. He's mulled over the idea of a festival almost from the moment he arrived in Austin two years ago... The Shostakovich spirit caught on. Now, nearly every major classical music group in the city is in on the festival, dubbed "Shostakovich 100." ... Even the Cedar Park High School marching band is getting in on the fun. They'll be stepping to several movements from Shostakovich's Symphony No. 10 at all their football games next fall...
The manner in which Buckley and others put together the "Shostakovich 100" festival is nothing less than a do-it-yourself miracle. With no administrative apparatus, along with voluntary and open participation, the festival required no additional fundraising on anyone's part. The Web site comes pro bono. And as arts groups add Shostakovich-related events to their schedules, they, too, can claim participation in the festival.I like the concept. It's so simple! It becomes real just by thinking the idea. Each group does what they were going to do anyways, only with Shostakovich, and voila - the sum is more than the parts. But...
... I'm stumped for where to start for myself, as an audience member. Arts organizations are churning out intro material, but it is dancing about architecture - words
about Shostakovich, but not Shostakovich.
Every other bit of music I know, any form that says anything about an artist or a culture bigger than itself, took me forever to absorb. Lots of repetition. Lots and lots. (At some point, aren't you supposed to get faster at learning?)
So, starting tonight, Symphony No 1 two-a-days.
The bigger picture, of course, is how (or if) to apply this approach to community "issues" - education, health, etc. Does it only work with art, either because that is just a "nice to have" that no one needs to dig their heels in about, or because it's not a "hard" issue? Is the approach deceptively participatory, because even though a range of groups are involving themselves, they represent only a small part of the whole community?
And what if we really should be dancing about architercture (or about urban planning, or affordable housing)? Does wordiness drive people and groups out of the deliberative process? Does linearity pass right by good but mishapen solutions?